Prepping for my Life

My mind has been in a state of large curd cottage cheese.

I’ve been more concerned with politics than I want to be. The US government is in turmoil, people are being forced to work with the promise of pay sometime in the future, and I’m looking for a new job.

Sometimes it’s really, really, hard to stay upbeat and optimistic, but I stay busy, creating. Currently I’m creating one-of-a-kind blank greeting cards (see above) that are waiting to find new homes, as well as other collages and art items. And I have an idea for which I’m developing an actual business plan.

As always, my art is available for sale, and reproduction rights are also available. I have a large portfolio of photographs as well as the collage cards, and I recently did a custom book cover for “Duel Visions” which will be published in February.

My blog, “Just Visiting,” is up and running again and you’ll see new content with links to other websites — we’ll be seeing more art and crafts galleries, and interviewing the creators, as well as keeping an eye on the physical accessibility of these places. Even though I got my second hip replaced in June, I still have difficulty walking, and so I’m always on the lookout for ease of access.

Please let me know what you’d like to see! Comments and suggestions are always welcome!

Thank you, Mr. Serling


I have a problem with time, and I blame it wholly on Rod Serling.

Like others, I grew up on The Twilight Zone in reruns, and as “primitive” as that early television was, its writing was top-notch, and it left its mark on me.

Mr. Serling was always playing with time, wishes, and consequences. Who could forget poor Mr. Bemiston (Burgess Merideth) in “Time Enough At Last”? Always trying to read, always being thwarted by his work or his wife, who regarded reading as a waste of time.

Being an artist, whether I’m immersed in photography or mixed media or assemblage, work definitely does get in my way, but grudgingly I admit, it does keep me in supplies.

Misha, however, does not regard creating as a waste of time. Being a writer himself, he understands the fire that burns inside, and he believes that all of us have in us the need to create — art, writing, gardening… so many, many things.

My problem with time is, like other people, there doesn’t seem to be enough of it. Work is x hours, commuting is y hours. Cleaning is w hours, sleeping is v hours. To see friends is that much less time that I have for painting.

So I make, or remake, clocks. Discarded clocks that no longer have homes come to me and find themselves with new faces, and maybe new homes. We’ll see.


Just Visiting: Old Town Albuquerque

I had my right side Total Hip Replacement surgery on August 30, 2016. It’s amazing, this absence of pain. It, the pain, becomes such an integral part of existance that when you wake up from anesthesia and it’s gone, you’re momentarily confused.

Nevertheless, it’s awesome.

Except for the restrictions.

No bending. No bending while standing, no bending while sitting, so bending past 90 degrees. That means you use a three foot shoe horn to put on your shoes, and get someone else to tie them if there are laces, or you work out something else. You use a special contraption to put on your socks. You do not bend over to wash your feet and legs when you’ve been given permission to shower. No sleeping on your surgery side, and if you sleep on the other side, put a pillow between your legs.

And no driving.

Anyone who knows me, knows “no driving” and “MzSusanB” are mutually exclusive terms but I followed doctor’s orders.

Dr. Surgeon cleared me to drive again three weeks after surgery, on a Tuesday. The next morning I was on the road. First I wanted to see my mother in Atlanta, then I wanted to go to Myrtle Beach. Then, on the road to Myrtle Beach, I turned around and headed for Sedona, and ended up in Albuquerque.

No longer tied to my wheelchair, I was using a two wheeled walker to get around, so accessibility was still needed. Old Town ABQ is not for the faint of heart, as the sidewalks are brick, so the going is bumpy. The old buildings that make up the square often have narrow doorways, and the shops themselves are difficult to negotiate because they’re small and have steps in awkward places.

If you use a manual or motorized wheelchair or scooter, use caution.

But the air is clear and the colors vivid and I fell in love with the area.




Just Visiting: The Art Institute of Chicago (Van Gogh’s Bedroom)

The Art of Accessibility visits Chicago’s famed Art Institute to be immersed in Vincent Van Gogh’s sketches and paintings (as well as other works of art). ChiArtInstitute1312

The Art Institute is breath-taking.  While fairly sprawling, its collections are cohesive and comprehensive, but from a wheelchair accessibility point-of-view, the Institute seems to  lack understanding of the spirit of “accessible”.

IMG_7239Entry into the Van Gogh exhibition was on the second level. As shown above, there were two ques to enter at the pillars, with the introductory verbiage on the left wall and enlargement details on the right. As you went in on the right, you begin to see Van Gogh’s journey to Arles. There was no set path to follow; consequently, there were often bottlenecks as people viewed and backed up to view again, various works.


But works are art are often hung at “eye-level,” and eye level seems to mean the viewer should be roughly the same height as the curator who hung the exhibition.

Even without the wheelchair, I’m 5’2″ tall, but in the chair, any work under glass such as this painting, had to be viewed at a severe angle to avoid glare.


Then there was the opportunity to see works body blocked by those in front of you, which, I guess, is the price to be paid for infirmity.

The worst part of the whole thing occurred in the gallery which housed the three bedroom paintings. There are subtle differences among them, and I had managed to work my way to the front of the crowd, with the intention to just slowly move along with the crowd to view them.

However, a uniformed attendant (guard?) decided that I was actually trying to get out of the gallery and moved me even further in front of the crowd and moved them back so I had a clear path out of the gallery. He then continued to clear paths until I was out of the exhibition completely. I could have, should have, spoken up, but I think I was too dumbfounded to utter a protest.

The exhibition, of course, emptied into a gift shop, but there was hardly room for me to see what was available (sorry, Liz!), and the gift shop exit led you back to entry, on the side of the introduction, where everyone exiting decided they suddenly needed to read the what they missed.

Can you say “log jam”?

IMG_7252The rest of the Institute is fairly easily accessible, with a few tricky places.

As I said, my chief difficulty has to do with the eye level  of art and the accompanying signage. This seems to be a universal problem, which could be easily remedied if the curator(s) borrowed a wheelchair from the concierge desk and travel the exhibition or galleries before deciding final placements.

Look at it from a different point of view and make art truly accessible to all.







Just Visiting: Missouri Botanical Garden, St. Louis, MO

Life, and the Art of Accessibility

Part 1: The Grounds

I will admit it: the Missouri Botanical Garden (MoBot) is my gold standard — “the best, most reliable, or most prestigious thing of its type.”

It is the botanical garden I know most intimately, since it is only a few miles from my home. I have walked it (when I had functioning hips) countless mornings through every sort of St. Louis weather. I have taken thousands of photographs, some that I’ve published in Flickr, others I’ve exhibited. Now that my major exercise is via wheelchair, MoBot’s universal accessibility design is what I use, consciously and subconsciously, to contrast and compare other facilities.

As I said, MoBot is my standard. Only 75 acres within the city limits of St. Louis, this place was once Henry Shaw’s country estate. It is lovingly cared for by staff and volunteers, and hosts several festivals throughout the year.


It features several themed and educational gardens, including the English Woodland Garden, the world-famous Japanese Garden, and the Kemper Center for Home Gardening.


This venue is fairly easy to maneuver — most grades are easy, with a couple that are challenging – such as the slope from the Japanese Garden to the George Washington Carver Garden, but if you take your time with them, you’ll have very little difficulty. I have not found one slope or ramp where I feared losing control of the wheelchair.

While it is not perfect, for the most part, some serious thinking went into the accessibility design for this garden.  — Except for the handicap stall in the Women’s Room in lower level of the Kemper Center: I’m not sure what they were thinking about when they slapped that one in….

In fairness, at this visit I did not try maneuvering through several of the buildings: The Linnean House, The Climatron, and The Temperate House. I was enjoying being outside in the sun and the brisk breeze, and by going into the buildings (especially The Climatron), my lens would have fogged up. In a month or two, when the temperature moderates, I’ll tackle those and review them.

I did, however use the handicap-accessible restroom at the Japanese Garden (a little difficult to get into, since the main entry door is not assisted), and I browsed the goodies in the Garden Gate Shop. The shop has plenty of room for browsing, and most items are within arms’ reach. Staff members were courteous and offered to help without sounding like they were being bothered, even though it was a very busy late morning (a plus in my book!).





Powell Gardens – Kansas City, Missouri

Powell Gardens’ history began as land bought by a business man, and has grown to be a 915-acre behemoth thirty miles east of Kansas City, Missouri, consisting of eight themed gardens, a nature trail and an esteemed chapel . During “peak season,” tickets may be purchased for a trolley that loops the grounds, providing a quick overview of the campus.

Being a member of the Missouri Botanical Garden in St. Louis (my home base), I decided that my road trips would be visiting reciprocal membership gardens. I had heard of Powell Gardens, and decided to make that the starting point.

Misha and I left well before sunrise on an April Saturday morning, treating ourselves to cups of Tim Horton’s coffee before taking I-64 to I-70, westbound. It was a fairly leisurely drive, since we had no fixed time schedule. My wheelchair was stowed in the back of his car, and I had water and fruit. [For why I have a wheelchair, see What Three Years Can Do.]

We arrived around 10 AM. The sky was clear, and the wind a bit brisk. Parking in designated handicap slots was easy to obtain this early in the morning, and the roll to the Visitor’s Education Center was fairly level, if a little bumpy, crossing one internal roadway to the building.

Now, anybody who knows me knows my primary interest is in taking photos, so, in my wheelchair, I had my camera around my neck, a travel pack around my waist, and a plastic handle bag on the chair arms for my water and snack. I had my cane bungeed to the left armrest.

At the Visitors Education Building, the door was opened from the inside by a greeter, who cheerfully gave us maps, and then we went to it. First stop was the Conservatory to see the Blue Morpho Butterflies. I was allowed to stay in my chair, but my travel pack and snack bag had to remain outside lest some butterfly try to escape and violate USDA regulations. The Conservatory was humid as expected, but I did not expect to get actively misted (and neither did my camera). The walkway around the Conservatory viewing area was wide enough for the wheelchair, provided no one wanted to pass me in two different directions.

I felt claustrophobic, and headed out to the main gardens… except that I couldn’t find any clearly marked doors to the gardens, nor power-assisted/handicap accessible doors. I had to ask for directions.

Once out, I found that the garden walkways were mostly switch-backed, and the slopes were unsettling. For the rest of my visit, I was more concerned with not losing control of the chair than I was with trying to compose photographs.

I managed to work my way up the inclines from the Island Gardens (two person-wide walkway ending in sloped vegetation into the lake) to the Chapel, which is truly a breathtaking place. As I approached the beautiful wood doors, I wondered how to enter without scratching or denting them. Luckily, strangers opened both doors so I could roll in without damaging anything.

I texted Misha and said I was heading back to the Visitors’ Center. He suggested that I take the trolley back, but I really felt like getting in the additional workout by wheeling back. Then I realized I would be going downhill, and I didn’t want to, so I said I would take the trolley — and then realized that I would have to fold up my chair and climb into the trolley for the return trip.

The trolley is not handicapped accessible. There is no lift for a wheelchair.

Misha, who is a part-time superhero, came out to the Chapel and carried my chair into trolley for me.

I tried to spend money in the gift shop, but was prevented because the aisles were tightly packed with things leaning out or lying on the floor — I was constantly afraid of breaking things or getting them caught on my chair.

As we left, we noticed parking right by the front of the Visitors’ Center. The area was not marked handicap parking leaving us to conclude that it was reserved for staff or volunteers.

Now, it’s 2016, y’all.

The Americans with Disabilities Act has been law since 1990. Many people live their lives differently-abled  and independently. Not everyone in a wheelchair has an attendant or an aide. I should be able to go and explore a botanical garden without having to rely on or wait for other people to open doors for me. I should be able to concentrate on my avocation of photography without fearing losing control of my wheelchair.

That’s what the ADA is about – independence to experience life.

I would not recommend Powell Gardens to someone with a manual wheelchair like I have, and even if you’re going with someone for company, if you have mobility issues, avoid the trolley. It’s picturesque, but it’s difficult to climb in and out of.





The Last Full Measure of Devotion


There are a couple of things you need to know about me: I am not a political animal and I do not watch television.

I watch streaming, via Netflix or Amazon, but I do not watch broadcast television or cable TV. I’m usually a season or more behind in even knowing what’s out there.

Currently, I’m watching Ken Burns’ “The Civil War,” which is copyright 1990.

On November 19th, 2013  — just next month — it will have been 150 years since the national cemetery at Gettysburg was dedicated. 150 years since Abraham Lincoln gave us a two-minute address that continues to be relevant today.

In July, I visited Lincoln’s home in Springfield, Illinois, which is on grounds managed by the National Park Service. It’s strange visiting a place like that, knowing what would happen in the Lincolns’ future — that he would be elected President, that one of their sons would die in Washington, that the President himself would be assassinated there and never return to the only house he ever owned….

And behind all of that is the huge and bloody stage of the American Civil War.

In 1959, the last Civil War veteran died, and with him, I think, went our last connection to the domestic war that slaughtered 600,000 men– some of whom had gone to school together, or were relatives of each other. Without a Civil War veteran to remind us of the high price we paid for a continued union of States, we have fallen back to the shrill rhetoric and dearth of compromise that led up to secession and war. These days I see, and I hear, the similar passion and fervor that led this nation down that path.

We are a nation of related strangers. Our forefathers all came to this country from somewhere. This is what makes us fabulous.

My adopted grandfather’s family can be traced back to the 1700’s in what is now Germany; they fought in the Revolutionary War, and they fought in the Civil War (Pickett’s Charge, to be exact). What makes this nation work is its design — the three branches of government, and the checks and balances it’s supposed to have. Has the design evolved over the years? Of course it has. Is it perfect? Oh hell no.

But it is the best we have.

We still have the right to vote (yeah, let’s not get into that whole Electoral College thing right now); we can still call or write to our elected officials (yeah, let’s not get into that whole are-they-gonna-bother-to-listen-to-me thing right now).

We can still participate in the system; we can still influence and change the system, if we choose to, and even in choosing not to influence and participate, we have the freedom of choosing.

That’s pretty crazy cool, I think.